Athletes cash in on California's workers' comp









SACRAMENTO — In his seven-year career with the Denver Broncos, running back Terrell Davis, a former Super Bowl Most Valuable Player, dazzled fans with his speed and elusiveness.


At the end of his rookie year in 1995, he signed a $6.8-million, five-year contract. Off the field he endorsed Campbell's soup. And when he hung up his cleats, he reported for the National Football League Network and appeared in movies and TV shows.


So it may surprise Californians to find out that in 2011, Davis got a $199,000 injury settlement from a California workers' compensation court for injuries related to football. This came despite the fact Davis was employed by a Colorado team and played just nine times in California during an 88-game career, according to the NFL.





Davis was compensated for the lifelong effects of multiple injuries to the head, arms, trunk, legs and general body, according to California workers' compensation records.


He is not alone.


Over the last three decades, California's workers' compensation system has awarded millions of dollars in benefits for job-related injuries to thousands of professional athletes. The vast majority worked for out-of-state teams; some played as little as one game in the Golden State.


All states allow professional athletes to claim workers' compensation payments for specific job-related injuries — such as a busted knee, torn tendon or ruptured spinal disc — that happened within their borders. But California is one of the few that provides additional payments for the cumulative effect of injuries that occur over years of playing.


A growing roster of athletes are using this provision in California law to claim benefits. Since the early 1980s, an estimated $747 million has been paid out to about 4,500 players, according to an August study commissioned by major professional sports leagues. California taxpayers are not on the hook for these payments. Workers' compensation is an employer-funded program.


Now a major battle is brewing in Sacramento to make out-of-state players ineligible for these benefits, which are paid by the leagues and their insurers. They have hired consultants and lobbyists and expect to unveil legislation next week that would halt the practice.


"The system is completely out of whack right now," said Jeff Gewirtz, vice president of the Brooklyn Nets — formerly the New Jersey Nets — of the National Basketball Assn.


Major retired stars who scored six-figure California workers' compensation benefits include Moses Malone, a three-time NBA most valuable player with the Houston Rockets, Philadelphia 76ers and other teams. He was awarded $155,000. Pro Football Hall of Fame wide receiver Michael Irvin, formerly with the Dallas Cowboys, received $249,000. The benefits usually are calculated as lump-sum payments but sometimes are accompanied by open-ended agreements to provide lifetime medical services.


Players, their lawyers and their unions plan to mount a political offensive to protect these payouts.


Although the monster salaries of players such as Los Angeles Lakers guard Kobe Bryant and Denver Broncos quarterback Peyton Manning make headlines, few players bring in that kind of money. Most have very short careers. And some, particularly football players, end up with costly, debilitating injuries that haunt them for a lifetime but aren't sufficiently covered by league disability benefits.


Retired pros increasingly are turning to California, not only because of its cumulative benefits but also because there's a longer window to file a claim. The statute of limitations in some states expires in as little as a year or two.


"California is a last resort for a lot of these guys because they've already been cut off in the other states," said Mel Owens, a former Los Angeles Rams linebacker-turned-workers' compensation lawyer who has represented a number of ex-players.


To understand how it works, consider the career of Ernie Conwell. A former tight end for the St. Louis Rams and New Orleans Saints, he was paid $1.6 million for his last season in 2006.


Conwell said that during his 11-year career, he underwent about 18 surgeries, including 11 knee operations. Now 40, he works for the NFL players union and lives in Nashville.


Hobbled by injuries, he filed for workers' compensation in Louisiana and got $181,000 in benefits to cover his last, career-ending knee surgery in 2006, according to the Saints. The team said it also provided $195,000 in injury-related benefits as part of a collective-bargaining agreement with the players union.


But such workers' compensation benefits paid by Louisiana cover only specific injuries. So, to deal with what he expects to be the costs of ongoing health problems that he said affect his arms, legs, muscles, bones and head, Conwell filed for compensation in California and won.


Even though he played only about 20 times in the state over his professional career, he received a $160,000 award from a California workers' compensation judge plus future medical benefits, according to his lawyer. The Saints are appealing the judgment.





Read More..

Oscar foreign film nominees reveal movie magic


LOS ANGELES (AP) — A few old-school video cameras, a cloned apartment, a sea of digital sharks, and an actress who helped herself to craft services were just a few tricks that international filmmakers employed in their Oscar nominated films.


The five directors nominated for this year's foreign language film Academy Award revealed on Saturday how they used movie magic:


— "No," an account of the advertising tactics used in the 1988 campaign to oust Chilean dictator Augusto Pinochet, was filmed with U-Matic video cameras to give the film a grainy VHS aesthetic similar to the political commercials it depicted.


"We got used to it, and we just started loving it," said director Pablo Larrain, who noted that the vintage cameras had less resolution than an iPhone. "When we get to see regular movies now, they look so sharp!"


— Austrian filmmaker Michael Haneke based the apartment where much of his relationship drama "Amour" takes place on his parents' own home because it felt comfortable and inspired him when crafting the film about an elderly French couple. The apartment was built on a soundstage and digital effects were used in windows to make the cityscape come alive.


"It was an exact reproduction," said Haneke through a translator. "Not because their story had anything to do with what was happening on screen, but it gave me ideas and helped me find solutions when writing the script."


— The 18th century Danish period piece "A Royal Affair," which centers on the forbidden romance between the Queen of Denmark and royal physician and minister Johann Struensee, was filmed in Prague, not Denmark.


"No street in Copenhagen looks remotely like it used to look in the 1760s," said director Nikolaj Arcel. "But you can actually go to Prague, and they've quite beautifully kept some of these old streets and restored them."


— Joachim Ronning and Espen Sandberg, the directors of the Norwegian film "Kon-Tiki," digitally recorded their historical drama about the treacherous 1947 sea voyage of adventurer Thor Heyerdahl so they wouldn't run out of film.


Ronning said the filmmakers shot 140 terabytes worth of material — roughly about the size of 6,000 Blu-ray discs. They captured the boatload of footage because "Kon-Tiki" was shot in both Norwegian and English and included over 500 special effects shots.


— Kim Nguyen, the Canadian director of "War Witch," said his Congo-set drama about a young woman who becomes embroiled in an African rebellion was filmed chronologically, and that Rachel Mwanza, the film's 16-year-old star from the Congo, gained weight during production. It wasn't an issue because her character becomes pregnant in the film.


"She actually gained like 15 or 20 pounds during the film, which was perfect," said Nguyen. "Best special effect ever."


___


Online:


http://www.oscars.org


___


AP Entertainment Writer Derrik J. Lang will be tweeting from inside the Dolby Theatre during the 85th annual Academy Awards. Follow him on Twitter at http://www.twitter.com/derrikjlang


Read More..

Off the Dribble: Salley Offers a Healthy Assist

When Carmelo Anthony went on a vegetarian diet a few weeks ago and caused the biggest culinary conundrum in sports since fried chicken and beer had starring roles in the Red Sox clubhouse, John Salley could only shake his head.

Anthony’s diet was blamed for his sluggish play and the Knicks’ 3-4 record during the 15-day fast.

Anthony admitted that his body felt “depleted out there.”

But Salley, the former N.B.A. player, said that if Anthony had eaten a vegetarian diet correctly, he would have felt invigorated and anything but depleted.

And not just for two weeks but for the entire season.

For Salley, many of his salad days in the N.B.A. really were salad days. Particularly kale salad.

Salley, a 6-foot-11 power forward and center, became a vegetarian in January 1991 after he felt he had to make changes in his lifestyle, much like Anthony’s stated desire for “clarity in his life.”

Vegetarians do not eat meat, fish or poultry, but may eat dairy products like cheese, eggs, yogurt or milk.

Salley had read a story about the Celtics’ Robert Parish, whom he had always admired, and his interest in yoga and a red-meat-free diet.

While Parish’s regimen was not total vegetarian, he recently said that it made a difference in his career, helping him withstand the rigors of playing center against behemoths in the paint.

“My diet consisted of chicken, fish, seafood, salad, pasta and organic when possible,” he said. “I had very little sugar and drank a gallon of water every day. I also ate rice and beans, peas, cabbage, mustard, collards greens and assorted nuts. I would always focus on healthy eating. My success depended on my body and I tried to do right by it. ”

His body responded with 20 years of service in his Hall of Fame career. Parish retired at 43.

Salley was striving for similar health and success.

“I was 27, and I felt I had to change my life,” Salley said. “My knees were sore, my joints ached, I had back problems and my cholesterol was 275. ”

When he was with the Pistons, Salley visited a nutritionist in Detroit who advised him to eliminate fried foods and adopt a macrobiotic diet (grains and vegetables).

Salley, invigorated and healthy, had his best season in 1991. A defensive specialist, he had more energy and quickness and averaged a career best 9.5 points a game.

He kept his healthy diet a secret from his burly Bad Boy Piston steak-and-pork-chop teammates, who included Bill Laimbeer, Rick Mahorn and Dennis Rodman.

“I would tell them all the time,” Salley said, “if you go into a steak house it’s not that they have a certain thing inside the dead flesh or they cook it differently. They make it the same way everybody else does. All you’re doing is eating dead food.”

Salley would search out health food restaurants with a few tables or just counter service for his diet staples of quinoa, kale, spinach, stir fried vegetables, brown rice and wheatgrass on the menu.

“It was hard to find places in 1991,” he said. “So many times I would go into restaurants and ask the cook to steam my vegetables and make me the lightest fish.”

But it was worth it.

“I was playing so well it was crazy,” he said.

During his career, Salley, who retired in 2000, won four championships with the Detroit Pistons, the Chicago Bulls and the Los Angeles Lakers.

He now follows a vegan diet, which eliminates all dairy foods in addition to animal products.

“I’m eating raw,” said Salley, 48. “And I make all my food with no sugar, no salt and no oil.”

Salley is familiar with Anthony’s foray into vegetarian living. The Knicks star followed the Daniel Fast based on the book of Daniel in the Bible, which espouses a diet of mainly liquid and vegetables.

“He felt depleted because you need to find a natural source of vitamin B12,” Salley said.

B12 is not found in any significant amounts in plant food, and a deficiency can cause fatigue, weakness and tingling in the legs.

It can also cause irritability. Anthony said his diet might have caused him to lash out at Kevin Garnett in a game against the Boston Celtics.

“He didn’t take any supplements to help his body,” Salley said. “He did not get his body to heal. It’s like cutting yourself and not putting a Band-Aid on. He just got part of the plan right.”

Salley is working to make sure children get the plan right with food choices. He spreads the word about healthy eating in the community, having lobbied Congress for more vegetarian options in school lunches.

Although Anthony may have struggled to maintain his vegetarian diet, other N.B.A players and athletes have embraced it.

James Jones of the Miami Heat and Anthony’s teammate A’mare Stoudemire are vegetarians.

Baseball’s Prince Fielder, the triathlete Brendan Brazier, the mixed martial artist Mac Danzig, the bodybuilder Derek Tresize and the tennis player Serena Williams are among athletes who are vegans or vegetarians.

Dr. Joel Kahn, a clinical professor of medicine at Wayne State University School of Medicine and medical director of wellness programs, preventive cardiology, and cardiac rehabilitation at Detroit Medical Center, has counseled Salley and other athletes about the benefits of vegan and vegetarian diets.

“A plant-based, whole-food diet low on sugar and gluten is very anti-inflammatory and ideal for rapid recovery from workouts,” he said.

Read More..

Jason Bateman gives Ernest Borgnine's estate a new identity

Markus Canter and Cristie St. James, who share the title luxury properties director at Prudential in Beverly Hills, like Jason Bateman's real estate sense. The actor got privacy, potential and a knoll location for $3 million.









Actor Jason Bateman and his wife, actress Amanda Anka, are dropping anchor in the Beverly Crest area with the purchase of the estate of Ernest Borgnine for $3 million.


The gated country English compound sits on a half-acre knoll. The 6,148-square-foot home features a formal entry hall, a grand staircase, a paneled library, an office, a den, six bedrooms and seven bathrooms. There is a guesthouse and a swimming pool.


Bateman, 44, stars in the comic film "Identity Thief," released this month. He is known to generations of TV viewers for his roles in "Arrested Development" (2003-present) and "Valerie," later retitled "The Hogan Family" (1986-91). Anka, 44, has appeared in "Bones" (2008), "Notes From the Underbelly" (2007) and "Beverly Hills, 90210" (1996).








Borgnine, who died last year at 95, is remembered for his Oscar-winning performance in "Marty" (1955) and his work in the title role as commander of a madcap crew in the sitcom "McHale's Navy" (1962-65). Until 2011 he was the voice of Mermaidman on "SpongeBob SquarePants."


The estate came on the market in October for the first time in 60 years priced at $3.395 million.


Billy Rose, Paul Lester and Aileen Comora of the Agency in Beverly Hills were the listing agents. Richard Ehrlich of Westside Estate Agency represented the buyers.


Where pair spent days of their lives


Soap star Peter Reckell and his wife, singer Kelly Moneymaker, have sold their custom-built, eco-friendly home in Brentwood for $3.35 million.


Before building the 3,345-square-foot house, the couple had the existing home on the site torn down, crated and shipped to Mexico for reuse by Habitat for Humanity. Then they designed and built a three-bedroom, four-bathroom contemporary that uses solar power.


Green elements include a photovoltaic system with battery backup, skylights, recycled glass terrazzo floors with radiant heating, recycled denim and organic cotton insulation, bamboo cabinets and doors, a roof garden and a water reclamation system.


A temperature-controlled wine cave and a recording studio are among other features.


Along with an indoor/outdoor koi pond, a meditation fountain and a solar infinity pool, outdoor amenities include a 16th century East Indian temple that was turned into a pavilion.


"This is my sanctuary," Reckell said. It frames views of the Santa Monica Mountains Conservancy.


Reckell, 57, played Bo Brady on "Days of Our Lives" from 1983 through last year. The show began in 1965. He also appeared in "Knots Landing" (1988-89). He is an avid environmentalist and bikes to work.


Moneymaker, 42, is a former member of the music group Exposé. She was inspired to build an environmentally friendly home because the carpet and other elements in the old house bothered her allergies and affected her voice.


Public records show they bought the property in 2003 for $1.14 million.


Daniel Banchik of Prudential's West Hollywood office was the listing agent. Scott Segall of John Aaroe Group represented the buyer.


Another rock owner for home


Hard Rock Cafe co-founder Peter Morton has made his mark on L.A.'s real estate scene of late, buying the old Elvis Presley estate in Beverly Hills at year-end for $9.8 million.


But flying under the radar was his bigger off-market purchase midyear for a property in Bel-Air at $25 million, public records show. Area real estate agents not involved in the transaction say Morton plans to take down the existing home and build another on the site. The estate had belonged to Joseph Farrell, who founded National Research Group Inc. in 1978 and brought market testing to Hollywood. Farrell died in December 2011.





Read More..

Gunfire and deadly crash rattle the Las Vegas Strip









LAS VEGAS — A spectacular predawn crash on the Strip — triggered when bullets fired from a black Range Rover peppered a Maserati — hit this resort city right between the eyes. In the end, three people were dead and a major intersection under lockdown during a three-state manhunt for the shooters, leaving even casino veterans used to the extraordinary scratching their heads.


The mayhem was sparked, witnesses told police, by a quarrel early Thursday at a hotel valet stand.


The two vehicles left the Aria resort hotel and were heading north on Las Vegas Boulevard at 4:20 a.m., an hour when the casino marquees shine brightly but the gambling thoroughfare is largely empty. At Harmon Avenue, occupants inside the Range Rover opened fire on the Maserati, police said.





The silver-gray sports car, which was struck several times, sped into the intersection at Flamingo Road, ramming a Yellow cab. The taxi exploded, killing the driver and a passenger. Four other vehicles in the intersection were also involved in the crash and explosion, but officers offered no details.


"Omg Omg Omg that car just blew up!" one witness tweeted shortly after the crash, posting a photo of the wreckage. "God Bless their Souls! Omg!"


The driver of the Maserati died later at a hospital, police said. A passenger in the vehicle received minor injuries and was being interviewed by investigators. At least three others were also injured.


Police in Nevada, California, Arizona and Utah were on alert for the distinctive black Range Rover SUV, described as having dark-tinted windows, black rims and out-of-state paper dealer plates.


"We are going to pursue these individuals and prosecute them," Clark County Sheriff Doug Gillespie said at an afternoon news conference. "This act was totally unacceptable. It's not just tragic but unnecessary — the level of violence we see here in Las Vegas and across America."


Authorities had not publicly identified the dead. But a Las Vegas television station late Thursday identified the taxi driver as Michael Boldon, 62, who the station said had recently moved here from Michigan to care for his 93-year-old mother.


The victim's son, who drives a limousine, told Fox News 5 that he last talked with his father after 3 a.m., and later called his cellphone shortly after the crash to warn him to avoid the Strip. But there was no answer.


The station also identified the driver of the Maserati as Ken Cherry, a rap artist from Oakland who also is known as "Kenny Clutch." The station quoted family members identifying Cherry as the driver. An Internet video of a Cherry song called "Stay Schemin" shows two men in a vehicle on the Strip.


Police had more questions than answers.


"It began with a dispute at a nearby hotel and spilled onto the streets," said Capt. Chris Jones of the Las Vegas Police Robbery and Homicide Division.


The morning's events threw the Strip into disarray all day. The gambling boulevard's busiest and best-known intersection was cordoned off by yellow police tape until nightfall, keeping traffic and curious pedestrians away from the carnage. Even skywalks were blocked off.


While slot machines beeped and card games continued inside casinos around the accident scene — including the Bellagio, Caesars Palace and Paris Las Vegas — hotel bell captains were fielding questions from tourists who had awakened to news of the crash and the Strip shutdown. The alleys and side streets between nearby hotels were clogged with pedestrians who inched along on narrow sidewalks, past delivery doors, many making their own paths between the landscaped bushes and palm trees.


Even casino industry workers were thrown into turmoil. Hotel maids and dealers who finished their midnight shifts after dawn were left without bus service home. "I'm stranded," said Tiruselam Kefyalew, 25, a maid. "What a day to leave my cellphone at home."


Limousine drivers who normally prowl the city's gambling core improvised detours. Some said the police blockade would cost them $500 or more in lost business and tips.


"Most people understand, but you have your complainers," said Jim DeSanto, a limo driver who waited for fares outside Bally's casino. "Those people will complain, even when everything is perfect."


Well after noon, guests peered out nearby hotel windows and others leaned into the street to glimpse the crime scene.


"Hey, honey, it must have happened right here," one man told his wife as they left Caesars around noon. The tourist, who would only say that he had arrived from Tampa, Fla., the previous evening, had looked out his hotel window at 4:30 to see a vehicle in flames.





Read More..

Adele, 'Les Miserables' cast sing on Oscar stage


LOS ANGELES (AP) — It was an extra starry, musical day at the Dolby Theatre.


Adele took the stage first Friday, followed by the cast of "Les Miserables," singing together of the first time.


Oscar nominees Hugh Jackman and Anne Hathaway, along with co-stars Russell Crowe, Amanda Seyfried, Helena Bonham-Carter, Sasha Baron-Cohen, Eddie Redmayne, Aaron Tveit and Samantha Barks rehearsed their performances on the Oscar stage. They were backed by members of the musical's stage productions from London and Broadway.


"Les Miserables" director Tom Hooper sat in the front row of the theater as his cast sang together on stage.


Moments earlier, Adele dazzled the tiny audience of show workers with her performance of the James Bond theme "Skyfall."


She giddily remarked, "We're seated in the front row!"


Read More..

Well: Savory Pie Recipes for Health

Pie is an indulgence often saved for holiday time. But this week Martha Rose Shulman shows us how to bake a pie and eat it too, without the guilt. She offers savory vegetable pies, showcased in whole grain crusts. She writes:

This week I slowed down and made pies: savory ones filled with vegetables … I used a number of different crusts for my winter pies. My favorite remains the whole wheat yeasted olive oil crust that I have used before in this column, but I also worked with a simple Mediterranean crust made with a mix of whole wheat flour, all-purpose flour and olive oil. And for those of you who are gluten-free, I made another foray into gluten-free pastry and produced one I liked a lot, which was a mix of buckwheat flour, millet flour and potato starch. It had a strong nutty flavor that worked well with a very savory, very vegan, tofu and mushroom “quiche.” They are all simple to mix together and easy to roll or press out. And if you don’t feel like dealing with a crust, just use Greek phyllo. The important things, after all, are the savory vegetables inside.

Here are recipes for a pie crust and four savory winter vegetable pies.

Whole Wheat Mediterranean Pie Crust: A simple Mediterranean crust made with a mix of whole wheat flour, all-purpose flour and olive oil.


Mixed Greens Galette With Onions and Chickpeas: A tasty way to use bagged greens in a dish with Middle Eastern overtones.


Goat Cheese, Chard and Herb Pie in a Phyllo Crust: A garlicky mix of greens and your choice of herbs inside a crispy phyllo crust.


Tofu Mushroom ‘Quiche’: A vegan dish with a deep, rich flavor.


Winter Tomato Quiche: Canned tomatoes can be used in the off season for a delicious dinner.


Read More..

U.S., Japan focus on trade to boost both economies









WASHINGTON — For the last two decades, Japan's stagnant economy has taken a back seat to China's explosive growth. But the economic agenda for Washington and Tokyo is heating up, presenting new opportunities for the U.S. and trade frictions reminiscent of the 1980s.


In White House discussions Friday, President Obama and Japanese Prime Minister Shinzo Abe took up a range of security concerns, pledging solidarity in responding strongly to nuclear provocations from North Korea. Abe also assured Obama that Japan would "act calmly" in its standoff with China over islands in the East China Sea, even as he made strong public remarks later about Japan's claims to the Senkaku islets.


But their minds were largely focused on one thing: getting their economies growing more rapidly.





Obama would like to see Japan join the U.S., Canada, Mexico, Australia and seven other countries in negotiations for an Asia-Pacific free-trade agreement. The administration sees the pact as an important part of its "pivot to Asia" to secure American strength in an increasingly wealthy region of the world, where China's influence has grown.


But the American auto sector and Japanese farmers, important constituents for Obama and Abe, have balked at Japan entering negotiations that could expose their industries to greater foreign competition.


On Friday, the U.S. and Japan issued a carefully worded statement suggesting that although all goods would be on the table in the trade talks should Japan join, there could still be a deal in which each side protected its most sensitive sectors.


"The two governments confirm that, as the final outcome will be determined during the negotiations, it is not required to make a prior commitment to unilaterally eliminate all tariffs upon joining the TPP negotiations," the statement said, referring to the Trans-Pacific Partnership.


For Abe, who took office in December for a second time as prime minister, his meetings in Washington were aimed at promoting his own economic program. The Japanese have dubbed his plan "Abenomics" — an effort to break out of a devastating deflationary period with fiscal and monetary stimulus and other efforts.


"I am back, and so shall Japan be," Abe said Friday afternoon in remarks at the Center for Strategic and International Studies, a Washington think tank.


Abe, 58, who studied political science briefly at USC and delivered his speech in English, said in a news conference afterward that he hoped Japan could decide quickly about entering the talks.


Obama welcomed Abe's overall message of strengthening bilateral relations, saying after their private meeting in the Oval Office that they agreed their No. 1 priority had to be "making sure that we are increasing growth and making sure that people have the opportunity to prosper if they're willing to work hard, in both countries."


Trade wasn't a top priority in Obama's first term, but in his State of the Union address, he pledged to pursue free-trade talks with both Europe and the Asia-Pacific region.


Neither is likely to be completed this year, but given Washington's budget constraints and partisan gridlock, one of Obama's best options to boost growth and jobs may be by expanding trade.


"Asia is an economic dynamo, and the administration very much wants to be in the region," said Mireya Solis, a senior fellow at the Brookings Center for Northeast Asian Policy Studies. "At a time of limited resources, it's difficult to fund the rebalancing [to Asia], so the value of alliances increases."


That's where Japan comes in.


Promoters of the Trans-Pacific Partnership see it as more than a pact that removes tariffs: It's a comprehensive deal that also addresses regionwide issues involving regulations, supply chains and state-owned enterprises.


As the world's third-largest economy, Japan's participation would give the trade alliance greater significance and also could draw South Korea, another Asian economic power, into the talks.


Japan also stands to benefit by joining the trade partnership, analysts said, as it probably would push along deregulation and other much-needed structural changes in the Japanese economy to improve productivity in the face of a rapidly shrinking and aging population. That would help sustain the country's growth when the effects of fiscal and monetary stimulus fade.


Many Japanese experts said Abe personally would like to take part in the trade talks, but the prime minister would be loath to make any public moves until at least July, when his rural-based Liberal Democratic Party faces an election for the upper house of parliament.


Abe's overarching goal is to win the summer election so he can carry out his agenda.





Read More..

Dorner's mentor cracked the case









It was nearing midnight when Terie Evans called police in Irvine with a hunch: An ex-Los Angeles police officer named Christopher Dorner might have killed a young Irvine woman and her fiance a few days earlier.


Evans, an LAPD sergeant who had trained Dorner, conceded that her theory was a long shot. But Dorner's name had suddenly surfaced the day before in a strange phone call. And she knew he had a connection to the woman who had been killed. It seemed too much to dismiss as a coincidence.


It wouldn't take long for Irvine detectives to realize just how valuable Evans' tip was.








Before dawn they were looking into Dorner. An investigator uncovered a rambling manifesto Dorner allegedly posted online, in which he expressed fury over his firing years earlier and laid out his plan to exact revenge by killing officers he blamed for his downfall and their family members.


The discovery sent Evans and about 50 other LAPD officers and their families either into hiding or under the protection of heavily armed guards as a massive manhunt for Dorner unfolded across Southern California.


For the eight days that Dorner eluded capture, Evans remained silent and laid low, while Irvine and Los Angeles police officials kept secret her role in identifying the suspect. Evans had been Dorner's training officer and was at the center of the incident that led to his dismissal from the force. Authorities worried it might enrage Dorner further if he knew she had once again played a lead role in determining his fate.


On Thursday, Evans spoke to The Times about what happened, and police confirmed her account. LAPD Chief Charlie Beck said he believes Evans' actions saved lives, helping detectives identify Dorner before he carried out more surprise attacks.


It began for Evans on Monday, Feb. 4 — the day after the bodies of Monica Quan and Keith Lawrence had been found riddled with bullets in their car. Evans, 47, received a message that an officer from a small department south of San Diego was trying to reach her. When she returned the call, the officer told her that he had found pieces of a large-sized police uniform, some ammunition and other items discarded in a dumpster that appeared to belong to an LAPD officer with the last name Dorner. Evans' name and other items were written in a small notebook found with the other things. The officer asked: Did Evans know this guy Dorner?


She did know him. Several years earlier, Evans and Dorner, a rookie cop, had been partners. The pairing had ended badly when Dorner accused Evans of kicking a handcuffed man .


Evans denied the allegations and an investigation cleared the 18-year veteran of wrongdoing. LAPD officials went on to fire Dorner after concluding he had fabricated the story.


"Just hearing his name was enough to make me feel sick," Evans said.


Evans hadn't been able to shake the uneasy feeling when she went to work the following evening. Before beginning her night shift, she stopped in the police station's parking lot to talk with some other officers. The conversation turned to the Irvine killings. Evans had heard about the case, but knew no details. The dead woman, one of the officers said, was the daughter of Randy Quan, a former LAPD captain-turned-lawyer who represented LAPD officers in disciplinary hearings when they ran afoul of the department.


The hair on the back of Evans' neck stood up. Another wave of the shakiness she had felt on the phone washed over her. She struggled to make sense of her thoughts. Quan. Dorner. The belongings in the dumpster.


Through her night shift, a "nagging, sinking feeling" dogged her. "I have to call Irvine PD," she recalled thinking.


"In my mind, it felt like such a long shot," Evans said. "But my gut feeling made it a lot stronger than that. I just knew. Something told me that there was some kind of a connection."


Evans called the Irvine Police Department and told a supervisor her theory: Quan had represented Dorner at his termination proceedings. What if Dorner had killed Quan's daughter and her fiance as part of a vendetta and then tossed his belongings in the dumpster before escaping across the border to Mexico?


About 1 a.m., an Irvine detective called back and Evans repeated her suspicions. A few hours later, her shift ended and Evans went home to sleep. When she awoke, a message from another Irvine detective, left early that morning, was waiting for her. Investigators were pursuing her lead and were on their way to San Diego to examine Dorner's belongings.


"At that point, I was absolutely sick," Evans said. "I thought, 'Oh my god, it really is him.' I knew no one knew where he was … I thought, 'What am I going to do?' At the time Mr. Dorner was terminated, I had a very uneasy feeling. I knew he was very upset and I had concerns that at some point he may try to contact me. So, this was just validating the bad feeling I carried with me for years. I was scared to death."


About 1:30 p.m., Evans said she was on her way to watch her teenage son play soccer when her phone rang again. They had discovered the manifesto. "I was told my family and I were not safe."


After making sure her son was with his father — a retired cop — Evans drove around aimlessly, fearing that Dorner could be waiting for her at her home or police station. Within 20 minutes, she recalled, someone from the LAPD called to make plans for protecting her and her family.


Police say Dorner killed two officers as well as the Irvine couple, and injured three more officers in gun battles, before apparently killing himself last week in the basement of a Big Bear cabin as authorities closed in on him.


Evans has not yet returned to her home. She and police officials said Evans has continued to receive threats. In addition, someone tried to break in to her home, police said.


"I honestly don't think my life will ever be normal the way it was before. This was such an extraordinary circumstance, I don't know if I'm ever going to feel safe in my home again," Evans said. "Years from now, my family could potentially still be at risk."


joel.rubin@latimes.com


Times staff writers Christopher Goffard, Kurt Streeter and Andrew Blankstein contributed to this report.





Read More..

Large coats a mainstay for next winter from Milan


MILAN (AP) — Many of the fashions displayed on the Milan runway Thursday had a yesteryear appeal — but with a contemporary edge.


Coats are a mainstay for next winter, many of them oversized with accentuated cuffs — part of a trend toward architectural references in clothing. Fur coats and jackets make the biggest comeback in many a season, perhaps appealing to new markets in cold weather climates, and certainly fitting for the snowy Milan weather.


Many of the styles, from the flared skirts to belted suits, recalled couture favorites from earlier fashion eras. However, the styles were updated by paring down the silhouette and using coarse fabric for elegant wear that in the past has been associated with silkier materials.


Spandex gave a modern glint to looks, including form-fitting dresses, jumpsuits and turtleneck tops, which were softened with sewing details or by coupling them with softer materials like fur and cashmere. For romantic looks, there was lace paired with leather or animal prints for a new twist. Gold lame and sequins add luxury to sensual evening wear.


The palette featured a lot of blues, green, red, some white and flashes of yellow along with mainstay black.


Hardy, practical shoes were a mainstay, but designers aren't neglecting pretty looks and are still coming up with sandals, pumps and feminine slippers and booties.


Bags tend to be large, but not huge, and no few have a Mary Poppins practicality.


PRADA


The Prada finale was a long luxurious mink coat with ample collar and cuff like the ones the Hollywood divas used to wear in the 1950s. Underneath the model wore a sheer see-through silk dress.


It was only the showiest item of the winter collection presented Thursday evening, based on yesteryear luxury, from the opulent coats to the gilded gowns to the mink wraps.


Miuccia Prada season after season has a fashion vision, and follows it through regardless. This round she revisits vintage couture in a contemporary context.


Coats have extra wide cuffs and are often belted at the waist and flared toward the bottom. Skirts come in wide ballerina styles, as do some the dresses. The jumper dress is another 1950s look, which Prada revisits, even for evening, not to mention the many coat dresses in the collection.


Totally Prada, and anything but retro, was the uneven hemline (one side much longer than the other) that the designer used for daytime belted sheaths as well as gilded, belted gowns.


Fabrics ranged from coarse tweeds to shimmering metallic materials, plus leather and fur. Crocodile takes on new importance when used not only for bags, but also for skirts and even a suit.


The latest Prada shoe, either a sandal or a bootie, has a thick high heel, but a heavy rubber sole.


The sides of the voluminous bags in tweed and leather, including crocodile, were folded in such a way to give the impression of a feline face, perhaps inspired by a video of a cat that was part of the background of the show.


FENDI


Fendi is to fur what Ferrari is to cars. Yet given current concerns about animal rights, the brand has moved from the lavish fur coats that were all the rage in the 1980s to a more discreet way of interpreting fur as fashion.


Fendi creative director Silvia Venturini, daughter of one of the company's five founding sisters, opted for wisps of fur used as hair decorations, bracelets, or charms hanging from Fendi bags.


Fur also appeared as inserts in a skirt or a dress, or sheered and fashioned into a cozy, but not showy, jacket. Long fur, usually goat, also seen on other runways during Milan's preview showings, was used to make up a skirt or a cape.


For decades, German born designer Karl Lagerfeld has been working with Fendi, adding his flamboyant designing talent to their creative genius.


This round he offered a constructed slim silhouette, with accentuated shoulders and a knee-length hemline. The look is sophisticated rather than sexy and used deep, dark shades of red and blue, which along with black are becoming the staple colors for next winter.


In the accessory department, Fendi chose to reinvent its iconic handbags, from the clutch bag — this time furry — to a modern version of the Mary Poppins bag.


The shoes are sure to be a winter hit. Whether a pump, a boot or a lace-up, each pair was elaborately decorated, some in fur, and comes with a pointed toe and a glistening mirrored high heel.


BLUGIRL


Blugirl has looks for women feeling both demure and daring at the same time — mixing traditional tartan, peek-a-boo lace and bold leopard prints.


The women's wear collection for next winter, took as its muse the British style icon Alexa Chung. The label described Chung's style as "midway between tradition and urban accents, ultra-cosmopolitan, always cool."


Designer Anna Molinari's collection started off with a preppy coed look: green, red and navy plaid skirts, sometimes pleated, or pencil pants paired with oversized green sweaters, pullovers or cardigans. Shoes were leather ankle boots, worn with short, dark socks.


The outfits transitioned into more feminine territory. A tartan-printed taffeta bubble skirts paired was with a ruffle-neck lace shirt and topped with a loose-fitting leopard-print jacket, leading off an array of looks combining plaid, lace and leopard. Here the preferred shoe was the pump.


The collection finished with a flash of gold, with sequined evening dresses and skirts.


Dragon and swan motifs gave a nod to Chung's British-Chinese heritage. Commanding dragon shaped necklaces and Chinese-style jackets offered Asian flair, while sequined kissing swans on evening wear were reminiscent of an English park.


The looks were finished with small shoulder bags in leopard print, tartan or sequins, strapped across the body for the stylish girl-on-the-go.


MAX MARA


The German Bauhaus design school gave a sophisticated clientele functional yet elegant design in everyday objects, like chairs and teapots, as well as living and working spaces. On the runway in Milan, Max Mara struck the same note of functional elegance in its Bauhaus-inspired women's wear show.


The collection for next winter was, fittingly, highly structured.


The coats alone were a feat of layered and textural complexity. A hooded overcoat, worn open over the shoulders with empty sleeves hanging, accompanied another interior jacket with a nubby texture.


Often, the overcoat sleeves were rolled up to reveal another layer of, say, spandex, which contrasted with the satiny coat lining. Leather patches emphasized rounded shoulders.


Max Mara's heritage of practical luxury was highlighted by its focus on new camel fabrics for their coats, including spun alpaca and mouflon wool. From super-functional camel, the color palette then progressed to a deep yellow and onward to decidedly urban shades of gray, black and midnight blue — a nod to the Bauhaus inspiration.


The silhouette ranged from skinny pencil skirts paired with long sweaters for the office or loose-fitting pajama pants for relaxed afternoons. Shoes emphasized comfort — sneakers — but were built from luxury materials like suede and leather. Boston bags were made from leather and crocodile prints.


DSQUARED2


Both the masculine and feminine sides of the DSquared2 label were shouting over each other for attention.


The collection for next winter featured over-the-top masculine tailoring balanced with oversized jewels.


For daytime, the look was gangster chic, with loose-fitting men's double-breasted suits worn with nothing more than a dickey underneath and topped with exaggerated bowler hats — pink with purple ribbon. Pencil skirts paired with belted jackets, one with layered, architectural lapels.


But for nighttime, the mood was more speak easy slinky with silky dresses with an asymmetrical, trailing feather boa hemline or a fur stole — a favorite on Milan runways this season.


Designing twins Dean and Dan Caten showed at night for the first time in a while, giving up their closing day slot.


JUST CAVALLI


Designer Roberto Cavalli drew inspiration for his second line "Just Cavalli" collection, from a recent trip to Thimphu, the capital of Bhutan, at the foot of the Himalayas.


"Riches there are measured by the values of happiness," the designer said ahead of the show, which had an ethnic, almost hippie feel to it.


Almost the entire collection came in subdued native prints, fashioned in anything from tunics over pants to colorful evening gowns. Accessories included long silk necklaces like the ones worn by the Bhutan nobility, and a backpack to replace the more urban handbag.


Many designers are featuring fur this round of preview shows, including Cavalli who used it mainly to trim the hoods of his winter parkas. That was enough to draw the wrath of a small group of animal rights activists who disrupted the show holding up signs in Italian saying, "Your fashion is our death," until they were forcibly removed.


Read More..